- Critique Corners
- End of the year awards
- Fiction Fridays
- The Week Ahead
- This Month In Hardisty
- RT @FilmCritHULK: HERE'S THE FULL, ACTUAL 23 MINUTE SPEECH OF "THIS IS WATER" youtube.com/watch?v=M5THXa… AND youtube.com/watch?v=uSAzbS… 4 days ago
- RT @ADAMATOMIC: history really dropped the ball when no one invented anything called a pornograph 4 days ago
- RT @DCDeacon: For any of my writer/journo friends looking for work. TouchArcade is Hiring Freelance Writers toucharcade.com/2013/05/13/tou… 5 days ago
- RT @GameTrailers: A hungry man must face the harsh realities of ordering a pizza with his Kinect. - bit.ly/101hywM @mega64official 5 days ago
- RT @edgarwright: Daft Punk atop the Shard. http://t.co/FXiEVZpREr 5 days ago
CopyrightAll my work is protected under the creative commons license. If you wish to use my work or reference me then do tweet me @Nathsies or email me at email@example.com
O, be some other name!
What’s in a name?
that which we call a rose
By any other name would smell as sweet Continue reading
When people talk about weapons having ‘weight’ in video-games I always think of BioShock‘s wrench. From the minute Atlas said with his Irish laden lips “Pick up a crowbar or something.” Continue reading
Video-games are too obsessed with weaponry. I understand guns give that ‘instant feedback’ which is utterly crucial to tactile experiences but interactivity for a good amount of time has always resided in the tunnel vision of the blood-soaked industry. With that in mind I’d like to explore some choice examples of weapons that work beyond shooting people in the face. If this industry is going to build itself around weapons then the least we can do is find elements that are at the very least interesting or shape an experience in unique ways.
Half-Life 2 is an indisputable modern classic. I’ve written on it before from how it cursed me for years and how I do believe it’s the most ‘competent‘ first-person shooter ever made. I still replay it every once in a while just to capture that very unique feel. One of the main criticisms lobbied at Half-Life in general is the lacking of mechanical identical. BioShock has its plasmids, Fallout 3 has its V.A.T.S and even Call of Duty has a very ‘modern’ approach to its arsenal. Half-Life, as a franchise, has carbines and alien guns and other apparatuses that really don’t give it a ‘distinct’ identity when it comes to its mechanics. When I think of playing Half-Life 2 I instantly think of playing the game but not how the game plays. This is why the shotgun is so crucial to Half-Life 2, more than the gravity gun in my opinion. It truly is more unique than a simple physics firing wotsit.
The shotgun (full name: Combine SPAS-12) in Half-Life 2 is given to you by Father Grigori in the Ravenholm section of the game and it, on the surface, functions like any other video-game shotgun. Push one button to shoot. The twist comes in its alternate fire that spews out two shots instead of one. This can be used to instantly ice certain fools or blow up barrels. One shot is enough for certain enemies, such as barnacles, but others take more than two. It really depends on what distance you’re working at. During boss battles and other heavy sequences you start to realize there’s an intricate system to the shotgun. It has its own economy.
The economy of the shotgun is as follows: the chamber can hold up to six pellets at the time. This means there’s a need to conserve and also add up, within seconds, the root value of what exactly your next button press results in. This table might help:
What you’re constantly having to weigh up is how to maximize the pellets in your shotgun at any given moment. The shotgun has an economy within itself that really separates it from a lot of the weapons in the game. The sub-machine gun, pistol and magnum etc. don’t carry the same ‘power’ as the shotgun. The magnum arguably has the closest economy to the shotgun, and it too usually kills all enemy types in one button press (one bullet), but it doesn’t have an alternate fire like the shotgun does.
Now obviously I haven’t considered the nature of the ‘reload’ and this effect drastically changes the internal economy. Having six shots gives you more options than having five for instance but being able to reload quickly gives the shotgun a unique quality in Half-Life 2 thanks to its alternate fire. Let’s say you’re fighting two big enemy types in the game and each takes around two shots to disperse but you’re only carrying three shots in the chamber. This mean you can weaken them both with single shots and eventually killing at least one of them, or you can alternate fire and single shot another to at least take one away. With the added ‘reload’ there’s now a multiple of possibilities and a layer of urgency thanks to this internal economy. Do you reload one more pellet just to alternate fire both enemies and vanquish them? Do you alternate fire and rush to cover to reload? Do you instantly rush to cover? You can interrupt reloading too which mixes everything up further. This entire system that orbits the shotgun is further deepened when you consider the various contexts that Half-Life 2 can put you in. Under water, open-spaces and other environments can all add or subtract urgency. Urgency can further be molded by manipulating resources in the environment or by the player his/herself; imagine having low-health in a room full of health items versus having low-health in a room without health items. Both scenarios play out drastically differently to one another.
The value of the shotgun I’m writing about here does seem somewhat ‘too heavy’, but that’s largely because a lot of this design is sub-conscious. All of those ‘ripple’ effects such as ammo supply, the environment, health items, enemy types and others are all entangled with the shotgun’s internal system. The internal and the external marry to bring about a gameplay experience aka. ‘a firefight’.
Obviously the shotgun isn’t your exclusive choice in Half-Life 2. You usually want to minimize input while maximizing output; using the least amount of ammo possible, conserving as much health as possible etc. The shogun’s economy enriches this gameplay equation and its aesthetics are the cherry sweetener. The ‘feel’ of the weapon is felt with every reload, every pump and every shot/alternate shot. The weight is felt in both the recoil and in the second delays between reloads and shots.
The shotgun isn’t just engineered with a rather simple but intricate economy but also designed to be pleasing to both the ears and hands. Valve really do nail the mathematical and artistic principles of their weapons and, for me at least, the shotgun is my weapon of choice.
Next week – BioShock‘s Wrench
I have a few books coming out very soon (one on video-games, another on American Psycho, my first proper novel and a poetry compilation) so I’m very short on time at the moment.
I’ve decided then to start trying to write something video-gamey and short but weekly. Here’s a few of my ideas and I’ll start whatever you want me to at the beginning of March or something?
Weapon of Choice: Every week I look at a unique weapon from a different game. Starting with the shotgun from Half-Life 2. As much as the industry’s fetishization of violence often upsets me, it’s still incredible to note just how unique we can make weaponry. This would be like 500 words every week or something.
52: For 52 weeks I write about one singular video-game going through its mechanics, story, themes, level design and try to untangle what it means to exist as a ‘video-game’ today. I think it’d be interesting to do a not-so-well received game or a cult classic maybe? At the end I’d release it as a free eBook. Maybe even move on to a new game.
1124 Years: I’ve recently jumped into the league of Paradox games, starting with Crusader Kings II and discovered that it’s possible, through save game converters, to play a whole millenia of history. The Old Gods expansion for CK2 is releasing soon and pulling the start date back to 867ad which means with the release of East vs West I’d be able to forge an empire from the birth of Viking siege of York up until the collapse of the Soviet Union. I’m a history geek too so expect some stories spliced in. I have no idea how I’d write this.
I’ll start playing around with these and maybe alternate between each of them every week or so. Just a heads-up yo.